![]() ![]() Church’s artwork captures the essence of Niagara Falls’ sublimity in a way that had previously. It was created in 1857 and is widely regarded as the greatest landscape painting of its era. The violet hue of the sky and the rainbow blur in the rising mists, conveying a sense of mystery that lends the natural motif a symbolic aspect. Niagara, a monumental painting by Frederic Edwin Church, is an oil-on-canvas masterpiece that depicts the Great Falls of Niagara with impeccable accuracy. In this compositional study for Niagara, Church demonstrates his mastery of the depiction of rapidly flowing water. ![]() The falls and the immense, untouched landscape become a natural symbol of the political energy of a people and nation devoted to making the world a better place to live in. Church was very keen on religious imagery and he created many grandiose landscapes which reflected the glory of creation. The extremely wide format, the horseshoe shape of the falling masses of water, and the horizontal stretch of land in the background, visualizing the incredible extent of this natural wonder, lend the picture the monumentality of a gigantic panorama. An example is Niagara Falls, an icon of American painting. Church's landscapes represented unsullied nature as an embodiment of his faith in the God-given strength and mission of the New World, "America's sacred destiny," as he put it. ![]() Frederic Edwin Church was the most significant successor of Thomas Cole, founder of the Hudson River School. ![]()
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